![]() ![]() The film spoke about the setbacks an agro-based family faces when faced with natural calamities and how the survivors brave all odds to try and achieve their dreams. Released in 1957, this Mehboob Khan directorial starred Nargis – in the titular role, along with Sunil Dutt, Rajendra Kumar, and Raaj Kumar. Mother India (1957) Mother India (1957) Poster ( Photo Credit – IMDb ) It also won the Social Progress Award at the Karlovy Vary International Film Festival. It is also the first Indian film to win the International Prize at the Cannes Film Festival. This Bollywood movie won the All India Certificate of Merit for Best Feature Film, as well as the first Filmfare Best Movie Award. ![]() The film shows how, for their own profit, these landlords exploited farmers and even drove them away from the land. In order to earn extra money to pay off a loan to the local zamindar, he and his son take up odd jobs but alas are unable to collect the desired amount. ![]() The Bollywood movie, followed by Shambu Mahato (Balraj), moved from his village to the city. It also shed light on the unethical practices those in power follow to get what they want. Starring Balraj Sahni and Nirupa Roy in the lead, this Bimal Roy directorial spoke about the problems a farmer and his family goes through when he is unable to repay a loan secured again his land. It is an image so bereft of feelgood, if anything you'd have to describe Peepli Live as the anti-Slumdog itself.Do Bigha Zamin (1953) Do Bigha Zamin (1953) Poster ( Photo Credit – IMDb ) She closes on a scene of genuine and forceful poignancy: a construction site in the city where dispossessed men from the sticks like Natha are building luxury apartments, more ghosts than men. Rivsvi is a former journalist and is savage on the sham compassion of the media and political elite. The story explodes into a media event, a will-he-or-won't-he-top-himself saga that grips the nation. Natha decides to kill himself so that his family will qualify for a government scheme compensating families of farmers committing suicide. Peepli Live has been compared to Slumdog Millionaire here the little guy is a bankrupt farmer Natha (superbly played by folk-theatre actor Omkar Das Manikpuri). There is a deadly serious message about India's rural/urban divide in first-timer director Anusha Rizvi's satirical gem, but it also happens to have a juicily vulgar streak. The camera cuts to the cantankerous old dear puffing on a reefer. A rmando Iannucci could not have done it better: a reporter with a sad face plastered on interviews an elderly woman: "Look at Indian motherhood, with a ravaged heart," he implores. ![]()
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